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    Home»World News

    Zurab Tsereteli, Polarizing Russian Sculptor of Colossal Works, Dies at 91

    Team_NewsStudyBy Team_NewsStudyApril 27, 2025 World News No Comments7 Mins Read
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    Zurab Ok. Tsereteli, a Georgian-Russian artist whose towering monuments and heroic statues happy the authorities within the Kremlin however drew scorn from Moscow to New Jersey, died on Tuesday at his residence exterior Moscow. He was 91.

    His dying was introduced by Sergei Shagulashvili, his assistant. President Vladimir V. Putin of Russia despatched a condolence word to Mr. Tsereteli’s household, calling him “an impressive consultant of multinational Russian tradition.”

    An admirer of Mr. Putin, Mr. Tsereteli unveiled a towering bronze statue of him in 2004, wearing a belted judo tunic. (The work was so poorly obtained, nonetheless, that it remained with Mr. Tsereteli at his gallery.)

    Mr. Tsereteli’s exuberant work largely outlined post-Soviet Russian aesthetics. Flamboyant and vivacious, he was capable of attraction his means throughout geopolitical boundaries in incomes the place of unofficial courtroom artist within the Kremlin within the Nineties whereas additionally working with the federal government of his native Georgia because it tried to distance itself from Moscow.

    In Georgia, the place many locals condemned him for staying in Russia, he constructed the Freedom Monument in Tbilisi, the capital, which changed a statue of Vladimir Lenin in the primary sq. after the Soviet Union’s collapse.

    In Russia, Mr. Tsereteli led groups that created a few of the nation’s largest post-Soviet monuments, signaling a departure from the austere, geometric fashion of the Communist period in favor of colourful capitalist kitsch — to the chagrin of a lot of Moscow’s intelligentsia.

    Within the Nineties, he helped current the face of a brand new Moscow by designing the nation’s first Western-style underground shopping center, in Manege Sq., subsequent to the Kremlin. Some mentioned the mall, its roof adorned with gaudy fairy-tale collectible figurines, had ruined the sq. perpetually.

    He was later commissioned to create, as an official present from Russia to the US, a monument devoted to the victims of the terrorist assaults of Sept. 11, 2001. The monument, a 10-story-tall bronze-plated slab cut up by a fissure with an immense nickel-surfaced teardrop inside, was to be erected in Jersey Metropolis, N.J. However in 2004, municipal officers there rejected it. A neighborhood arts society described the work as “an insensitive, self-aggrandizing piece of pompousness.” It was lastly installed in Bayonne, N.J., in 2006.

    Mr. Tsereteli’s colossal bronze statue of Christopher Columbus in Puerto Rico additionally drew criticism, each for its aesthetics and for its historic context. Located off the overwhelmed path alongside the northern coast and rising 350 ft — the tallest statue within the Western Hemisphere — the monument encompasses a towering Columbus standing on the deck of a smaller crusing ship, one hand on the ship’s wheel and the opposite raised to the sky, with three ship’s sails behind him.

    Some referred to as it an eyesore when it was accomplished in 2016. And plenty of Puerto Ricans objected to its presence, citing the violence towards native populations throughout Columbus’s time within the Caribbean.

    Mr. Tsereteli had initially needed to present the monument to the US in 1992, to mark the five hundredth anniversary of Columbus’s arrival within the Americas. However each U.S. metropolis he approached, together with New York, Boston, Miami and Columbus, Ohio, turned it down.

    Mr. Tsereteli’s oversize statues have been erected elsewhere world wide, together with at the United Nations in New York and in London, Rome and Tokyo. Within the course of he cast private connections overseas. He was acquainted with President Trump, with whom he shared a love of pomp and grandiosity. Talking to The New Yorker journal in 1997, Mr. Trump called Mr. Tsereteli “main and legit.”

    Mr. Tsereteli’s fame reached its climax in 1997, when he put in a gaudy 321-foot-tall statue glorifying Peter the Nice in the course of Moscow, a metropolis Peter was identified to dislike. Much like the Columbus monument, the piece places an imperial-looking Peter in a disproportionately small crusing ship with its mast and sails rising behind him.

    The general public revolted. Folks signed petitions, accusing Mr. Tsereteli of tastelessness. The town was plastered with stickers crying, “Down with the Czar!” A fringe left-wing group mentioned it had plans to explode the monument.

    However after Mr. Tsereteli’s dying, even the arbiters of fine style, who made it trendy to revile his work, started to sing his praises. Some lauded him as a shrewd administrator who defended and helped many artists in bother, financially or in any other case. Others mentioned that whereas his huge statues had been overbearing, his work and drawings confirmed a extra elegant and tender facet of his expertise.

    “He was a very gifted artist,” Grigory Revzin, a Russian critic, wrote in an obituary in Kommersant, a Russian enterprise each day. “He had an outstanding sense of colour, and he was primarily a painter.”

    Marat Guelman, a Russian gallerist and longtime opponent of Mr. Tsereteli, mentioned that whereas his sculptures had been “odious and tasteless,” he was nonetheless an necessary determine in Russian artwork whose legacy would final.

    “At the moment we perceive this was not the worst factor that might occur to us,” Mr. Gelman, a former spin physician for the Kremlin who grew to become a vocal critic of it and left Russia, wrote in a post on Fb.

    In 1999, Mr. Tsereteli based the Moscow Museum of Modern Artwork, a vibrant establishment — at present led by his grandson Vasily Tsereteli — that homes a group of main Russian works. The museum has mounted exhibits spotlighting up-and-coming Russian artists in addition to retrospective exhibitions honoring main artists whose works had been banned in the course of the Soviet interval.

    Mr. Tsereteli additionally based a contemporary artwork museum in Tbilisi. On Thursday and Friday, lots of of individuals went there to pay him their final respects. He was buried within the capital on Saturday, within the Didube Pantheon, alongside his spouse, Inessa Andronikashvili, and lots of Georgian cultural figures.

    In Moscow, a farewell ceremony was held on Wednesday in Christ Our Saviour, the nation’s fundamental Orthodox cathedral. Mr. Tsereteli had helped embellish it within the Nineties.

    Zurab Konstantinovich Tsereteli was born on Jan. 4, 1934, in Tbilisi, when Georgia was a part of the Soviet Union. He graduated from the Tbilisi Academy of Arts in 1958 and in 1960 started working as a employees artist on the Georgian Academy of Sciences, participating in lots of analysis expeditions.

    In 1964, he went to Paris, the place he met Marc Chagall and Pablo Picasso and found that an artist could make not simply work but additionally sculptures and porcelain and ceramic works. On his return to the Soviet Union, he started adorning resorts on the Black Sea with colourful mosaic-clad fountains, bus stops and playgrounds that helped give the realm its splashy taste.

    For a lot of his profession Mr. Tsereteli thrived on official commissions from the Soviet and Russian political elite. Within the Seventies and ’80s, he did design work for Soviet embassies and the Soviet chief Mikhail S. Gorbachev’s summer season home on the Black Sea. He was appointed chief artist of the 1980 Summer time Olympics in Moscow.

    Within the Nineties, rising near Mayor Yuri Luzhkov of Moscow, Mr. Tsereteli labored on a number of tasks within the metropolis, together with the large Victory Park, one of many first nation-building tasks of recent Russia. He was elected president of the Russian Academy of Artwork in 1997.

    He’s survived by his daughter, Yelena; three grandchildren; and lots of great-grandchildren.



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